Saturday, July 27, 2013

THEATRE TO WATCH OUT FOR THIS WEEKEND (27-28 JULY'13)

Sat 27th July

Tuesdays with Morrie (Eng) (Directed by Meera Khurana) Prithvi theatre Juhu 6 and 9 pm
The Vagina Monologues (Eng) (Directed by Mahabano Mody Kotwal) Canvas Laugh Factory, Lower Parel 6pm
The Frying Pan (Eng) (Directed by Murtuza Kutianawala) St. Andrews Bandra 7 30 pm


Sun 28th July

Tuesdays with Morrie (Eng) (Directed by Meera Khurana) Prithvi theatre Juhu 5 and 8 pm
The Vagina Monologues (Eng) (Directed by Mahabano Mody Kotwal) Canvas Laugh Factory, Lower Parel 6pm
History of India (Eng) (Dir Vir Das) Manik Sabhagraha Bandra, 7pm
Bhelpoori (Hin/Eng) (Dir Rocky S) Mysore Association Matunga, 7 45pm
Fools (Eng) (Dir Meherzad Patel) NCPA Expt Nariman point 7pm
Ji Jaisi Apki Marzi (Dir Nadira Babbar) Godrej Dance Academy (NCPA) Nariman Point, 7pm
Big Fat City (Eng) (Dir Mahesh Dattani) Sophia Auditorium Beach Candy, 7pm
Blame it on Yashraj (Eng) (Dir Bharat Dabholkar) St. Andrews Bandra, 7pm

Thursday, July 25, 2013

SHIP OF THESEUS

Well! What do you say? Sometimes excellence leaves you so spellbound that you silently wonder. Ah! what was that...how is it possible? how come!!!...You are left too numb to express. That is why it takes me almost 30 hours of silent wondering before I can write.

Ok so the Ship flags off with the story of a visually impaired young girl who is an excellent intuitive photographer. She is quite comfortable being there. Being visually impaired and yet being excellent at exploring how beautiful the world is. Then she undergoes a surgery and now has 'vision' but unfortunately doesn't quite know what to do with it. Then we are left at that and the ship takes us to another shore all together. Story of a Jain monk fighting against the use of animals for laboratory tests and the ill treatment they are subjected to before they are experimented on. The fight here goes on to a very different level when he is diagnosed liver cirrhosis. He must take the medicines whose roots lie in the same lab or else die. Then we go into the life of a stock broker who has undergone a kidney transplant. By chance he lays his hands upon a big racket of illegal trade of kidneys. 

So many things to offer. Three different stories...three different fights...three different conflicts connected and weaved in so well. What leaves you awestruck is the  manner in which they are executed. There is so much detailing so much layering so many dimensions and yet the film is a poetry. The cinematography (Pankaj Kumar) is breathtaking almost always. There are so many misc-en-scene sequences and they flow ever so lucidly. Ok there are certain shots that are out focus but it is more than acceptable. The silhouettes are meticulously worked out. Never a single frame appears lit up and that is where the real beauty is. The production design (Pooja Shetty and Rakesh Yadav) is so low key that everything looks natural and feels in place. Editing (Sanyukta Kaza, Adesh Prasad, Satchit Puranik) a film like this is such a tough job. But everything falls in place and you don't think there is a single frame extra or out of sync. Top notch!

The performances are some of the best seen recently. Aida El- Kashaf (as Aliya Kamal), Neeraj Kabi (as Maitreya), Soham Shah (as Navin) all are in perfect sync with their characters. Their natural performances enhance the film. All in the support cast pull in tight performances.

The biggest punch of the film lies in the scripting (Anand Gandhi, Pankaj Kumar, Khushboo Ranka) and off course the film belongs to its director (Anand Gandhi). Such a film cannot be completed without the vision. Everything is so detailed and yet it just happens like it just happens. Anand Gandhi deserves all the acclaim that he has been getting. The captain of the Ship this one belongs to you!


Tuesday, July 23, 2013

DAMODAR DEEWANO THAYO


Hi friends please read my reivew of the latest Gujarati play Damodar Deewano Thayo on the following link

http://www.mumbaitheatreguide.com/dramas/reviews/23-damodar-deewano-thayo-gujarati-play-review.asp

Saturday, July 20, 2013

D DAY

India's most Wanted....known by many names (Rishi Kapoor) has to has to has to attend his son's nikaah in Karachi. India's RAW lays out a secret mission. The mission is to catch him alive and get him to India. Men on mission are Wali Khan (Irfan), Rudra Pratap (Arjun Rampal), Zoya (Huma Qureshi), Aslam (Akash Dahiya) and it is master minded by Ashwini Rao (Nasser).

The plot unfolds. Absolutely bang on edge of the seat opening sequence. Intercut with a song sequence picturised on Rajpal Yadav, the men on mission start their work. They are almost there but not quite. The Don is almost cornered. But not quite.

Flashback. Irfan's background followed by the laying out of each character and conflict follows neatly. Over here Pakistani officers are trying their best to convince the man to avoid attending the function. RAW is going about its planning in the most secret ways. Ashwini Rao also faces some departmental resistance. The mission goes on unofficially.

At interval we come back to the start point. Additionally Rishi Kappor manages to escape with a resolve of vengeance. 

Now there are conflicts. The Don wants to get his hand on the 4 people. Pakistan forces are after them. Indian agencies do not want them back. Packed with action and meet and characters and conflicts and drama the film engages you every single moment.

The story, the screenplay (Nikhil Advani, Ritesh Shah, Suresh Nair) , the direction, the performances everything falls in place and rather seamlessly. In fact one would want to give a standing ovation to Nikhil Advani. His craftsmanship and treatment are excellence personified! Ditto for the work of Tushar Kanti Ray as the DoP. The use of low light and tones is marvellous and poetic. Another winner is the editing Aarif Sheikh . There is not a single frame in the film that is not needed and the way intercuts are used in remarkable.

The film has some brilliant moments...the lighter ones with Irfan and his family, the romantic ones with Arjun and Shruti Hasan...the terrifying ones with all the encounters. The way the song post Shruti Hasan's death is picturised and treated leaves a mark...You have to see it...it is one of the most differently executed song for a long time.... The sequence where Irfan loses his family leaves a mark editorially apart from it being brilliantly enacted. the use of mirrors is another noticeable aspect of the film.... 

Speaking about the performances...Rishi Kapoor does it once again. He hits the bulls eye. He is ever so understated and yet so terrifying. Irfan is just himself carrying each and every detailed emotion effortlessly. Arjun Rampal impreses and one feels he grows leaps and bounds with this performance. He has very few lines but his eyes speak a lot. Huma Qureshi and Aakash Dahiya impress and so does Shruti Hasan. Chandan Roy Sanyal, Naseer, KK Raina, Sandeep Kulkarni, Nissar Khan, Imran Hasnee all are in top form. 

Very rarely you see an action film where you feel that action was a part of story and the film was not only an overdose of bullets and blood. Very rarely comes a film in which every single song playing in the foreground or a background has a story to tell. Very rarely these days comes a film where the background score carries the mood of the film without yelling at the top of the voice.

The vision, the story, the purpose, the team everything comes out right this time.



Friday, July 19, 2013

HAPPENINGS IN GUJARAT

AHMEDABAD

Sat 20th July 2013
Bhamasha (Hin) (Dir Manoj Shah) 8 30pm Convention Hall (Event organised by JITO group)
Sun 21st July 2013
Hu Chandrakant Bakshi (Guj) (Dir Manoj Shah) 8pm Rangmandal 

GUJARAT

Please watch the national award winning Gujarati Film 'The Good Road'

For details 

THEATRE TO WATCH OUT FOR THIS WEEKEND (19 - 21 JULY '13)

Fri 19th July 2013

The Big Fat City (Eng) (Written and Directed by Mahesh Dattani) 7pm NCPA Expt Nariman Point 
Sir Sir Sarla (Hin) (Dir Makrand Deshpande) 6 and 9 pm Prithvi Theatre Juhu

Sat 20th July 2013

The Big Fat City (Eng) (Written and Directed by Mahesh Dattani) 7pm NCPA Expt Nariman Point 
History of India (Eng) (Vir Das) 7 30pm Nehru Centre Worli 
Kitty Kitty Bang Bang (Eng) (Directed by Saurabh Agarwal) 6pm Canvas Laugh Factory Paladium Mall Lower Parel
Chaar Small (Hin) (Trishla Patel) 6 and 9pm Prithvi Theatre Juhu

Sun 21st July 2013

Dear Father (Guj) (Paresh Rawal) 3 30pm Nehru Centre Worli
Kitty Kitty Bang Bang (Eng) (Directed by Saurabh Agarwal) 6pm Canvas Laugh Factory Paladium Mall Lower Parel
Chaar Small (Hin) (Trishla Patel) 5 and 8pm Prithvi Theatre Juhu

Wednesday, July 17, 2013

The Good Honest Road


A new film is to be out on 19th july in the major cities of Gujarat. What's about it? It's a gujarati film which recently won the National Award for the Best Regional Film. The Good Road. 

Written and Directed by Gyan Correa, the film revolves around two children, with different social and cultural background and apparently different destinies. The film is shot in the intoxicating desert land of Kutch, the largest district of India

Recently, I read a few reviews of the film on the internet. Not a single of them good. It's bad to that extent that the artist community of Kutch is severely hurt by the film. They feel that Kutch and Gujarat are being portrayed in a wrong way. That the film hurts the beautiful culture of Kutch, spreads a wrong notion of Kutch to the rest of the country. One of them even commented that whichever film portrays Gujarat in a bad light always wins a National Award. People are disappointed. They cannot digest the expletives that fill most of the film. They dislike the performances and they dont like that there are only two professional actors in the film, the rest are not professionals. They consider the film emotion-less, with non-actors' expressionless faces right down to the blank feeling-less screenplay. 'Nuff said!


I saw the film around 3 to 4 months back in a private screening for the first time. Obviously, as a 'responsible and sensitive' Gujarati, I too thought that how would the regular gujarati audience, who loved the previous two Gujarati blockbusters 'Kevi Rite Jaish' and 'Saptapadi',  accept such a bold, honest-to-earth, full-of-expletives Gujarati film. But I figured that if the audience accepted (and loved) Yo Yo Honey Singh's vulgar songs, make the producers earn crores in a week with films like Kya Supercool Hai Hum, it can probably think a little wider and accept this film too.


I dont say that the film is perfect. It has its flaws and loopholes. Performances,yes, they are less effective because of the non-professional cast. Some of the strong moments just pass away without notice because of the mild performances. Some dialogues do not sound good, like when the pimp explains the little girl what is expected out of girls in that brightly-coloured whorehouse. It comes out as too strong for the sensibilities of the general audience. 


After watching the film, I asked its cinematographer Amitabha Singh - "sir, I have lived in Kutch for 17 years. Does this kind of prostitution really exist there?" He said - "Yes. In fact, what we have shown is much milder than the reality. Truck drivers are the main clients of the highway pimps there. The condition is much worse, but we couldnt show the exact reality. It is very hurtful." 


It may be possible that we, the audience, sitting on the cushioned seats of the expensive cinema hall judge the film based on the reality of what happens to people who cannot afford to go to an expensive cinema hall with a biased unexperienced eye. Most of us, I mean kids of this generation, have never seen what poverty and helplessness really is. We would not understand why a truck driver has to remain away from his home for months together to earn little money so that he can support his family. Poverty is as old as Time itself. Eventhough I am completely against prostitution, I sometimes cant help thinking- 'why is it the oldest business in the world?'


I have worked with Amitabha sir, Priyank Upadhyay (the cleaner guy)has been my classmate in college, Pankaj Jhala (the evil Jadeja) is my uncle and I know, for sure, that the above mentioned people will never opt for a film which doesnt have a strong message or for a film which would propagate wrong message to the audience or to say 'fool the audience.' The film does have good moments and good cinematic moments I mean. As an audience, I was proud to see my homeland Kutch aesthetically shown. 


I wouldnt write anymore about it. The story - you have to watch the film for that and decide for yourself. Not everything that the newspapers and the critics write might be true. All the best! Sayonara! )